Debate erupts over new Kate Middleton royal portrait

WEB DESK: The latest royal portrait of Princess of Wales Kate Middleton has ignited controversy among royal enthusiasts.

The painting was created by artist Hannah Uzor and is slated to go on Tatler Magazine’s cover. The latest royal portrait aims to honour Middleton’s “resilience” and “poise”.

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The portrait depicts the princess wearing a floor-length Jenny Packham white dress with a blue ribbon, similar to her attire at a state banquet in 2022.

However, reception on social media has been largely negative.

The portrait was inspired by a specific moment from Kate’s life that Uzor insists captures her cancer diagnosis and elements of her appearance at a state banquet. However, it has failed to resonate with many of the princess’s admirers.

Social media reactions particularly on images-sharing platform Instagram have overwhelmingly criticised the portrait’s lack of resemblance to Kate.

Kate Middleton did not sit for the portrait due to her ongoing recovery from cancer. The artist had to rely on photographs to create the painting.

Despite the backlash, the artist stands by her artistic creation. Uzor insists she captured a “moment of vulnerability and strength” in Middleton’s public life.

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Middleton’s royal portrait isn’t the only recent one facing criticism. Jonathan Yeo’s depiction of King Charles received even greater backlash. It portrayed the British monarch amidst fiery flames, with scant black lines outlining his body and a lone butterfly perched on his shoulder.

The first official portrait of Charles was unveiled at Buckingham Palace. It left viewers stunned, with many noting its lackluster portrayal of regality. Despite the artist’s intentions to capture the king’s ‘transformation’, the overall effect fell short of expectations.

The portrait was exhibited at the Philip Mould Gallery in London before joining the royal family’s collection at Draper’s Hall.